The Handmaid's Tale: A Level York Notes A Level Revision Guide

A Level Study Notes and Revision Guides

The Handmaid's Tale: A Level York Notes

Margaret Atwood

Revise the key points

Read through the key points, then print the cards as a handy revision aid.

1 Genre – Dystopian fiction

  • The main features of a dystopia are evident in Gilead: patriarchal rule, totalitarianism and the erasure of individual difference.
  • The Commander and his wife are high in the strict dystopian hierarchy of Gilead; Handmaids are given special status because of their potential for procreation.
  • A significant dystopian feature of Gilead is state control of language through biblical rhetoric.
  • Whether a text is dystopian or utopian depends on the narrator’s viewpoint: for Offred, Gilead is dystopian because she does not benefit from her new society.

Genre, Structure and Language

The Handmaid's Tale: A Level

2 Structure – External and internal story

  • Offred’s external story is a bleak account of everyday experiences, often permeated with a sense of fear or despair.
  • The internal narrative is Offred’s survival strategy where she expresses her emotions and desires.
  • Offred tells the story of the loss of her loved ones through internal narrative, using flashback.
  • Other external events such as Prayvaganzas or Salvagings are Gileadean constructions which reveal the nightmarish quality of the new social order.

Genre, Structure and Language

The Handmaid's Tale: A Level

3 Language – The external

  • Offred’s daily life is described in fine detail, which both emphasises the extreme monotony of her life and heightens the sense of confinement she endures.
  • The descriptions of the hanged men, and public ceremonies such as the Particicution and Salvagings, reveal the barbarity at the heart of Gilead.
  • Clinical language is used to describe the monthly copulation ceremony, where the intimate act of sex becomes a bizarre, semi-public ritual.
  • The secret outing to Jezebel’s blurs the boundaries between public and private. The descriptions of the hotel emphasise its familiarity for Offred.

Genre, Structure and Language

The Handmaid's Tale: A Level

4 Language – The internal

  • The internal narrative offers us a patchwork of glimpses of Offred’s former life, through flashback.
  • Three different versions of Luke’s story are presented, which function as psychological survival for Offred but also emphasise her anguish.
  • Poetic imagery expresses Offred’s desires and emotions and constitutes her hidden resistance to the regime.
  • The use of imagery from nature and the body can be viewed as a feminine voice of protest in a patriarchy.

Genre, Structure and Language

The Handmaid's Tale: A Level

5 Language – Other women

  • The flashback sections describe Moira in Offred’s former life using vibrant descriptive language; she is a colourful and increasingly heroic figure.
  • Stories of other women form a subtext to Offred’s; her narrative is one which emphasises her fight for survival but others fade into silence.
  • The unnamed woman, who occupied Offred’s room before her, is a ghostly presence throughout who foreshadows Offred’s possible fate.
  • Vivid detail is used to describe Moira’s outfit at Jezebel’s. It is grotesque: its comic presentation reveals also the desperate state to which she is reduced.

Genre, Structure and Language

The Handmaid's Tale: A Level

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